Because when you’re most ignoring the problem is when it’s also most likely to become a world-changing issue-and I’m willing to bet that the Saturn Club doesn’t just flirt with the occult, but may be harnessing some real powers on the solstice.Īt this year’s U.S. But when Nina gets an enticing invite to don her blackest black dress and the anonymity of a mask to plunge back into that genteel underworld, of course she can’t resist. There’s also the fact that its annual celebration of Saturnalia, or the winter solstice (which has become as entrenched in American culture as Thanksgiving) is a holiday for ignoring the looming climate change, which feels very much like something our present world would do.
I haven’t always been one for occult secret society stories because they can be almost too removed from reality, but Stephanie Feldman’s latest seems grounded in the relatable: Philadelphia’s Saturn Club is an elite social tier full of its own pecking-order bullshit, which is why Nina walked away from it three years ago. This latest volume collects all of the issues from 2022 (including the double-sized return issue from the start of the year), as Hazel’s exploration of magic, just like her impossible existence, yet again radically changes how her parents’ two warring races see the universe. But Saga, which has been running since 2012, was only halfway through its planned run, so we knew it was only a matter of time before Hazel and her family (blood, found/chosen, ghosts, and otherwise) returned with the next chapter in her childhood. Vaughan and Fiona Staples’ expansive space opera series about star-crossed lovers turned surprise parents left us on the most devastating cliffhanger imaginable in 2018… and then a few things happened to utterly change our world. So no surprise that Mallory Viridian turns herself into a pariah by escaping to space… but when a shuttle of humans prepares to dock at the sentient Station Eternity, Mal will have to draw upon her preternatural crime-solving ability once again.
It would ruin any chance at a normal life with relationships and the ability to put down roots. But because this is Mur Lafferty, who already won at the locked-room murder mystery with Six Wakes, she adds a snarky but necessary twist to the Marple influence: Imagine if people kept getting murdered around you, and you were something between a constant suspect and an amateur detective despite solving every single case. This year’s SFF has had just the best hooks, with “Miss Marple on a space station” right up there.
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